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Exhibitions Genel Past

MERCILESS | NERİMAN POLAT

09.11.2018 – 08.12.2018

 

Merdiven Art Space hosts Neriman Polat’s solo exhibition titled “Merciless” between November 9 and December 8. The artist who focuses on themes such as sociological layers, urban, woman, and gentrification, questions the discrimination and violence against children in the city. “Merciless” which is designed as a site-specific installation by bringing together the images belonging to the domestic and external living spaces under the same atmosphere, exposes Neriman Polat’s competence in interfering with the ready-made, which is supported by connotations.

In this period, where social violence becomes more and more visible Polat, referring to the social and urban corruption through the fragility of children and questioning the protected structure of the family concept, depicts houses lacking compassion. The brick wall built at the space reminds of the facades at the forgotten streets of the city and features a photo of a collapsed house. Patterns on the kids’ blankets that were transformed into dramatic images with a strong discourse thanks to the artist’s intervention, and the interior space painted into a familiar colour that is usually used in the kids’ room, expose the traces of a heartless world. Neriman Polat draws attention to the hopeless future by focusing on being silenced and gender codes with her reinterpreted drawings.

The artist not only visualizes the fact that the violence behind the fragile walls of the houses that are constantly damaged both physically and metaphorically, without agitation but also internalizes the dreams coming out of the houses. The cold blankets, subject of the web of violence preparing a ground for a collapse that cannot be ignored, warms neither the hearts nor the bodies.

 

Categories
Exhibitions Genel Past Past

RESURRECTION: An Attempted Siege By Three Generations


FERHAT ÖZGÜR – KIVANÇ GÖKMEN – MUSTAFA KULA

21.09.2018 – 27.10.2018

Merdiven Art Space welcomes the new season with a site-specific installation aiming to examine three generations of student-professor solidarity. The exhibition bringing together the works resulting from Ferhat Özgür’s collaboration with Kıvanç Gökmen and Mustafa Kula, who were his students at different time periods, emerges from Ferhat Özgür’s video work titled Resurrection. The exhibition, specially conceived for Merdiven Art Space, deals with the conflicts and concurrences in the collective production process of the artists representing three different generations and disciplines. RESURRECTION: An Attempted Siege By Three Generations, which will be on view between September 21 and October 27, witnesses how the artists blockade the space through three different approaches:  Ironic, Tragic, and Dramatic.

Ferhat Özgür visualizes the concepts of death and annihilation through a gothic ritual in his diptych video titled Resurrection, which would be exhibited for the first time in Turkey, while Kıvanç Gökmen materializes the relationship between the student and professor ironically with art historical references. The photo accompanying the video that features Magnificat by Bach is inspired by the periods when two iconic artists such as Warhol and Basquiat, who got rid of their artist identities and put up an artistic struggle. With his site-specific work, where he transferred the innovative drawing perception into the wall, Mustafa Kula, on the other hand, visually enriches the concept of resurrection, where the concepts highlighted by the video and photo, such as transience, eternity, resistance, eternal, and perpetual evolve into each other through a dynamic mural. The artists, who are both the subjects and the creators of the works in the exhibition, reveal the importance of developing a common discourse regarding the benefit of production by using different mediums. The collaboration emerging from the transformation of the struggle between the professor and student is highlighted by the dialogues between the opposite concepts and the images.

Ferhat Özgür, who adopts a deep conceptuality in his video works, develops an intergenerational and interdisciplinary project together with Mustafa Kula on one hand, who recalls the power of painting with her drawing-oriented artistic practice, and Kıvanç Gökmen on the other hand, who reflects the excitement of experimentality with his work basing on references.

 

Categories
Exhibitions Genel Past

LOVEGAME | İPEK DUBEN


03.11.2017 – 15.12.2017

In an attempt to support the growing of the creative and independent production field free from the commercial concern, Merdiven starts off with İpek Duben’s “LoveGame” installation which is again on view after a long time. The art space, aiming to enable every kind of contrarian and mindful voice that stands on its own geographic and social ground to be heard, regenerates this piece which defies years by both context and form of expression.

Inviting the viewers to a daring game in an abandoned casino to the accompaniment of love songs, “LoveGame” is waiting for new players who will gather around a handcrafted roulette table in order to face the tragedies hidden behind the glittering globes and gleaming lights. All types of violence committed by the partners, parents to each other, children and “loving ones” secretly remain into the subtle details of this flamboyant casino setup. Through her community-oriented works, drawing attention to the issues such as domestic violence, women rights, ethnic and gender identity, othering and migration, Duben questions the society that stigmatizes the accused and beguiled person by this installation.